Daniels (Katherine Waterston), Oram (Billy Crudup), Tennessee (Danny McBride), and synthetic Walter (Michael Fassbender) are the notables comprising a space crew aboard Covenant, a colony mission ship bound for planet Origae-6. But along the way (a very long way) they stop at a surprise planet. What initially looks like a habitable environment, turns into an absolute nightmare.
The film is a little slow-moving at first, but after the planet touchdown, it dives into a nerve-wrecking and grotesque tale of discovery with plenty of nasty run-ins with face-crushers and chest-busters. The alien attack sequences are frankly horrifying to watch, like squirm-in-your-seat horrifying. Amidst the journey, there are a couple head-scratching moments, some stilted dialogue, and uneven pacing that's as clunky as the spacecraft landings. But the thrills and visual splendor are undeniable--from the grandly stark scale of the settings, to the precise framing, to the aesthetic threads of mythology and zoology.
Narrative-wise, the film doesn't exactly cover uncharted territory, but what it does do really well is establish a scary-good antagonist. And honestly, you can't always say that about high-concept genre films nowadays. The cast is solid, too. Fassbender displays his restrained excellence, essentially playing two different roles. Waterston, while a bit bland, emerges as the emotional backbone of the duration. And then there's the highlight Danny McBride, amusingly being Danny McBride in space. Early on, he pulls out a bottle of whiskey to honor a fallen crew member, because of course he does.
So even though it's burdened by a few flaws and the weight of past comparisons, Alien: Covenant isn't a bad ride. It's truly an extraterrestrial gothic. A provocative rumination on gods and creation, humans and artificial intelligence, monsters and life.
( 7.5/10 )
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